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A&R Factory

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Featuring upcoming independent music from around the world.

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Oct 4, 2026
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  1. Horizon Beats bowed out with one last ocean-deep fixation through the melodic house swan song, Come Find Me Again
    Oct 4, 2026 · original
    Horizon Beats has blasted their swan song, Come Find Me Again, into transmission, closing a chapter of connection that brought together thousands of melodic-house fans seeking sanctuary within the oceanic depth of the project’s signature sound. The single and music video marked Horizon Beats’ retirement on October 1st, avoiding the expected grand farewell gesture, returning instead to the connection-focused songwriting that shaped so much of the catalogue. Sentimentality is scored throughout the delicate piano motifs, while devotion oscillates through the quivering vibrato vocals as they fill every inch of space within the illuminated production. The track centres on the early stage of emotional attachment: waking up, wondering whether someone is there, hoping the conversation continues, and feeling the first pangs of vulnerability, attached to the need of wanting to be found again. Hori
  2. AquariO crash-landed with a glitched-out hyper-pop intervention on ‘Get Some FCKN Therapy’
    Oct 4, 2026 · original
    AquariO took no prisoners with his debut single, Get Some FCKN Therapy, a straight-to-the-jugular extraterrestrial pop attack on the psychologically wounded who move through life in a daze, blind to the potential of emotional intelligence and accountability. The Los Angeles-based queer artist has killed off his former COATS incarnation and rebuilt himself with convention as a missing component. After more than 15 years writing pop music, AquariO was more than ready to mutate, and Get Some FCKN Therapy became the ultimate vessel for his freshly unrestrained expression. The debut hit fuses glitched-out alt-electro-pop, hyperpop impulses and alternative dance into a clarion call for people who carry trauma like an accessory, then use it as an excuse to spread the scars. The production feels space-sick and confrontational, with distorted electronics clattering around Björk-esque motifs, spac
  3. There’s an ocean of intimacy behind closed doors in Lonely Parrots’ EP, Living Room Lights
    Oct 3, 2026 · original
    Lonely Parrots, the industry-disrupting duo of Max Embers and Michael Martinez, are set to add more feathers to their flock now that their second EP, Living Room Lights, is on the airwaves. The title single opens the EP and teases you into a woozy, folk-instrumentation-led neo-pop dream. Imagine Daft Punk in semi-lucid form, swooning through nostalgic ambience with contemporary innovation, and you will get an idea of the affecting je ne sais quoi of Lonely Parrots as they drift atop their own creative zenith. The sense of sublimity they conjure within their aural blueprint is so pure it feels almost unholy, carrying through to Soulmates, where the EP finds soulful intimacy in what thrives behind closed doors, the kind of love an Instagram caption could never capture because it is inexpressibly intangible. Bloom takes a more strident turn, letting the visceral emotion caged within Embers
  4. Tiny Interview: Not Your Barbie and the Art of Refusing the Dollhouse
    Oct 3, 2026 · original
    Tiny is not here to be softened, posed or rearranged into someone else’s idea of acceptable. In this interview, the Future Sounds Award winner opens up about her upcoming single, Not Your Barbie (N.Y.B.), a ferocious act of queer, mixed-race, feminine rage born from being treated like an accessory instead of an equal. She talks about waking up with the chorus in her head, building the track’s wall-smashing industrial force with James Parker, Ash Goulden, Joel Chalk, Mills J. Smith and Alejandro Padilla, and using musical theatre training to push her vocals into raw, personal confrontation. Tiny, welcome to A&R Factory! Thanks for taking the time to talk to us about your upcoming single, Not Your Barbie (N.Y.B.), the anger behind it, and the ferocious world you’re building around your sound. N.Y.B. started with you waking up at midnight with the chorus in your head, then shelving it befor
  5. ‘Serial Admirer’ is Timothy and the Apocalypse’s technology-bound postcard from Japan’s atmospheric weather
    Oct 2, 2026 · original
    Timothy and the Apocalypse took his ever-expanding audience on a juxtapositional tour of Japan with his latest single, Serial Admirer. Released via Rotate Sound, the track finds Australian electronic artist, producer, photographer and visual artist Timothy Poulton translating the metropolitan momentum of Tokyo and the mist-covered serenity of Lake Ashi into melodic electronica that feels more remembered than recreated. Refusing to cheapen his connection to the atmosphere of the city and mountainscapes with cultural appropriation, Poulton taps into the energy of the spaces he explored. Tokyo becomes rhythm, repetition and movement; Hakone becomes space, water, mist and suspended breath. His leftfield breakbeats become a conduit to those contrasting atmospheres, while the hypnotically enthralling synthesised textures carry the emotional pressure of place without ever resorting to decorativ
  6. P.Peeva Interview: Meet the Writer Who Made “Someday” Answer for Itself in a New Era of Possibility
    Oct 2, 2026 · original
    P.Peeva joins A&R Factory as a Bulgarian writer, author and creator whose debut independent release, SOMADAYLESS, gives years of private lyric writing a voice at last. In this interview, she opens up about creating more than 30 sets of lyrics before finding a way to move her words into music, the emotional meaning behind the self-coined title, and why “someday” can become dangerous when it turns into a habit of postponement. She also discusses AI-assisted music with rare nuance, framing technology as a tool within a human-led process rather than the source of the song’s meaning. Across the conversation, P.Peeva reflects on authorship, creative risk, personal responsibility and the devastating reminder to say what matters while there is still time. Welcome to A&R Factory, P.Peeva. Thanks for taking the time to talk to us about SOMADAYLESS, your life as a writer, and the unusual creative r
  7. faesymphony builds a neon galaxy for the emotionally overloaded on ‘ineedabreak’
    Oct 1, 2026 · original
    The hyper intensity of ineedabreak by faesymphony is enough to blast you into another dimension. The New York City-based singer-songwriter, recording artist, actor and performer took elements of hyper-pop and threw them into head-spinning overdrive, joined by storming intersections of happy hardcore, DnB, EDM and pop-rap adrenaline. If you stood at the pinnacle of escapist music, you would be rubbing shoulders with faesymphony and his turbulently adrenalised strokes of neon synaesthesia. The track moves with larger-than-life force, propulsed by the painfully recognisable exhaustion of being young, empathetic and awake in a climate where the bad news never stops refreshing. Rather than sinking into that darkness, ineedabreak builds a sanctuary from it, a new galaxy where you can shake off the weight long enough to believe in the good again. The production has the sugar-rush extremity that
  8. GENEVA made complicity sweat under stained glass with their detonation of rock fusionism, ‘Hand of God’
    Oct 1, 2026 · original
    The ferocious rock fusionists GENEVA led an insurgent attack on the desecration of morality in the presence of faith with their latest single, Hand of God. Written from vocalist Lea “Eve” Anderson’s fury at ethical decline, religious nationalism and everyday complicity, the track takes the shape of an anti-sermon, aiming its rage at the comfort people cling to while claiming they want change. The groove-loaded, nostalgia-greased single shreds through the playbook of Sunset Strip sleaze rock while writing a few chapters of its own. Protestive spoken-word, or should that be scathed-word, intersections load Hand of God with Rage Against the Machine-reminiscent vexation, while Angelina Daly’s lead guitar work gives the whole thing its head-spinning, audaciously unfiltered force that would make Tom Morello proud. The solos spiral like a moral collapse caught in real time, matching the single’
  9. Jeff Chana gave love-on-the-line the ultimate pop hooks in ‘Let You Go’
    Oct 1, 2026 · original
    Jeff Chana has been releasing music since 2014; in 2026, he is way beyond testing the waters with the ink from his sonic signature. His latest release, Let You Go, which dropped on September 18th, is an exotically lush Latin-pop earworm, choked with the kind of passion that only comes to fruition when love is on the line and the temptation to spiral into desperation waits like a wolf at the gates of your soul. Using Eastern rhythms, flamenco guitars and classic pop vocals, Let You Go invigorates through organic expression, surpassing the novelty of intentional experimentation for the sake of sounding different. The guitars carry heat without becoming ornamental, while the rhythmic sway gives the track a body-led urgency that makes the emotional stakes feel physical. Chana’s vocal delivery holds the tension between surrender and self-preservation, giving the single a dramatic romantic pul
  10. Kael Strahm illuminated limerence in his gothic new-wave confession, ‘Blinded By Your Light’
    Oct 1, 2026 · original
    Emotional maturity manifests through a myriad of different guises; in Kael Strahm’s seminal single, Blinded By Your Light, it takes form through grandeur-augmented darkwave synth-pop. The first single from his upcoming EP, From The Heart, introduces the New Wave and alternative-pop solo project as a shadowed extension of emotions that could never quite fit inside his dark-rock band, Halevine. Through the gothic glow of reverb, with synth tones carrying the solemn weight of church organs, Blinded By Your Light becomes the ultimate aural visualisation of limerence. Strahm uses the tonality of the arcane instrumentals to mimic almost paralysing infatuation, where admiration becomes fantasy, fantasy becomes obsession, and an ordinary person is raised into something unreachably ethereal. His baritone vocals ground the instrumentals while giving the single its self-reproachful tension. For fan

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